Sunday, October 5, 2014

So What


Carmen Taylor


King 5085
(1957)

King "bio" (but no bio). Carmencita Taylor, also known as Elena Madera in some spanish speaking countries according to my own research

Personnel for the King Records session  :

Hilton Jefferson, Leslie Johnakins (alto saxophone) Hal Singer (tenor saxophone) Dave McRae (baritone saxophone) Kelly Owens (piano) Billy Butler (guitar) Carl Pruitt (bass) Panama Francis (drums) Carmen Taylor (vocals)
 
NYC, September 9, 1957


Wednesday, October 1, 2014

Great Big Baby


Don Caron’s Orchestra
with Gini Patton vocalist

Academy 5558
1955

Male vocalist (Eddie Allyn?) with group backup. Obviously, despite what the label says, the vocalist is not Gini Patton who was a female singer born Virginia Pasternak.

Don Caron was a schoolteacher who also headed an orchestra that was popular in the Chicago area throughout the 1960s.  The orchestra was the house band for a local record label named I.R.C.   In 1962 the Caron orchestra got an instrumental hit on a reworking of an old traditional number, "The Work Song."  Released on IRC, the record lasted two months on the WLS survey chart.

Monday, September 29, 2014

Roly Poly


Wade Morris


Virgelle 733
"Goldenrod Series"
Producer Ron Biberthaler

1965

Virgelle Records, a Seafair-Bolo subsidiary,  was located in Seattle, Washington


Wade Morris (1932-2013)

Woodie Wade Morris played music all his life. He played the bass guitar, steel guitar, lead guitar and flat top guitar.  He has written many songs and recorded them as well.

Sunday, September 28, 2014

A Razzle Dazzle

 
Eddie Korosa Jr.
Boys From Illinois
Frank Cernugel, Ronnie Zola, Greg Zola, Jeff Chmielewski
 
E. K. J. Productions CTN-215
 
 


Eddie Korosa and the Boys have been playing together since 1976 playing polkas, big band, rock and roll and country music,  



Friday, August 29, 2014

Great Moments in Boxing


Great Moments?
It depends on who you ask

Monday, August 25, 2014

It's Time To Leave You


Merle Lee And The Eye Shadows

 It's Time To Leave You 
(Jules Benner-Lee Sages)
Debbie Anne Music Inc, ASCAP
Debbie 1271
 Foster-Gates Productions
Recorded At A.M.S
1963



 
It's Time To Leave You







Arranger and composer Walter "Gates" Grigaitis (d. 1977) worked for Swan Records.  His arrangements were used by Chubby Checker, The Supremes, Freddie Cannon and others.  He also operated his own record production firm in Philadelphia with singer Debbie Foster.   

Little is known about Debbie Foster who is probably the fashion model coached by Artie Singer for a band canarying spot with Art Wendall at the Palladium in Philadelphia in 1953

Nothing is known about Merle Lee and The Eye Shadows



Wednesday, August 20, 2014

The Chicken Mash


Dennis Weaver

 


The Chicken Mash / The Apes
 Hal Moffett-Bob Summers
Exbrook Music, BMI
Produced by Hal Moffett
Eva 103
1963
Box 2921, Hollywood 28, Calif. 
Dennis Weaver, of part-American Indian background, served as a pilot in the U.S. Navy during World War II.  He was a struggling actor in Hollywood in 1955, earning $60 a week delivering flowers when he was offered $300 a week for a role in a new CBS television series, Gunsmoke (1955). After nine years as Chester, who he played with a stiff-legged gait, he was earning $9,000 a week.

Mainly known as actor, Dennis Weaver was also a musician.  In 1958, he formed a singing trio with Milburn Stone and Amanda Blake. In 1960, the trio broke the house record for the Albuquerque Arena during the New Mexico State Fair.   Dennis Weaver recorded three albums of country music in the seventies.

Dennis Weaver discography
45s
1959 — Cascade 5906 : Girls (Wuz Made To Be Loved) / Michael Finniga
1963 — Eva 103  : The Apes  Chicken Mash
1963 — Warner Bros 5352 The Sinking Of The Reuben James/ Genesis Through Exodus
1969 — Century City  : Days Like These / Cobwebs Of Your Mind
1973 —  Im'press 716  : 20th Century Man / No Name
1975 —  Ovation 1056 : Hubbardville Store / Prairie Dog Blues

Albums
1972 —  Im'press 1614  Dennis Weaver
1974  — ABC 847 : People Songs
1975  — Ovation 1440 One More Road

Tuesday, August 19, 2014

Carmen Taylor and Elena Madera

 Elena Madera
 *
Willie B.
Carman Taylor
Big "Tootin'" Buddy Lucas Band
El Toro 501

 


The tiny El Toro label was launched in 1963 by music store owner Buddy Dunk who was once the manager of The Limelighters, a black vocal group who recorded for a lot of budget labels under a great variety of names. (For details, see the Marv Goldberg article HERE

"Willie B", recently re-issued, is the most obscure record ever recorded by Carmen Taylor, a New York cabaret artist, songwriter and session singer who recorded for a number of East Coast labels in the 1950s.  The labels she recorded for, besides Guyden, were Atlantic, Mercury, Apollo, King and Kama Sutra.

So many records and so many songs penned (most with Willis H. Carroll) and yet, I've been unable to find much info or even a picture of Carmen Taylor who was with Lavern Baker and Ruth Brown on Atlantic Records at the same time and was not less successfull.

Exit Carmen Taylor, enter Elena Madera.

Born in Havana, Cuba of a Cuban-born mother who was a professional dancer, and a father, born in the USA, who was a bandleader in the Philadelphia area.  Elena came to the United States of America at age two, began singing at age three,  For a little more details about Elena Madera, see Alex who is just as curious about the fact  that there isn't much info about Elena Madera on the web.

After extensive research (I'll spare you the details), there is no much doubt in my mind today that Carmen Taylor, Carman Taylor and Elena Madera are one and only one person !





Carmen Taylor  : My Son (Kama Sutra)



Elena Madera : Pepito


Elena Madera : El Chipi-Chipi




Rock-A Bayou Baby

Monday, August 18, 2014

Don't Call Me Chicken


Bob Crewe

Don't Call Me Chicken

Melba 119
1957

The story of Bob Crewe and Frank Slay starts generally with "Silhouettes", a song recorded by The Rays.  

But their association actually dates back from 1953, when Crewe met and partnered with Frank Slay Jr., a young pianist from Texas who came to New York aged 21 in 1951.
 
"Don't You Care", the earliest song they wrote together and sung by Bob Crewe, was issued on the Philadelphia BBS label in 1953, a label owned by Bill Borelli.

 Before this Melba release, Bob Crewe also recorded for Jubilee (1954), Spotlight (1955-1956) and Coral (1956).

To tell Crewe's full story would take a book 

 


Friday, August 15, 2014

Iona Wade


 Iona Wade 
And The Billboards
with J. Hemsley and his Orchestra

 D. Polk - T. Polk
Gordon

both Dan Tan Music BMI

Vistone Records 2025
1962

Iona Harlin Wade was born in 1918 in Indianapolis.  A jazz vocalist, Iona Wade seems to have debuted with Snookum Russell in 1943. She recorded with Eric Von Schlitz & His Big Six, with Sherman Williams (1947-1948), with Bill Gaither (MGM, 1949), on Peacock with Jay McShann (1950), with James Moody in the fifties and with Bill Gaither and his Madcaps. 

Dave Polk has produced some records for Vistone Records before lauching his own Flodavieur label.
The Vistone label was first located in San Pedro before moving to Los Angeles. Vistone Records was owned by an eccentric guy called Pete Korelich, who had emigrated from Croatia.  Pete Korelich had also a pressing plant which was used by Sam Phillips for some Elvis records on the Sun label.   These West Coast pressings, according to some collectors, are better sounding than those pressed by Plastic Products in Memphis.  

Tuesday, August 12, 2014

Do You Wanna Jump


The Creels
Carole McCord, Singing River Pub. Co.
Judd 1005
1958

The Creels, from Alabama,  previously recorded for Abbott Records, a West Coast label. 
Writer of the song, Carole McCord, was probably born Creel and married Pete McCord, a session bass player and songwriter.  Also member of The Creels was Helen Bozeman, wife of Johnny Bozeman, owner of Sandy Records, a Mobile label.

Friday, August 8, 2014

Bridgestone 90


 The Panthers

Bridgestone 90
T. Dishaw - J. Cunningham

D&C 12/13
1966

Massena, Upstate New York band led by Tommy Dishaw.

With the introduction of the 90 series to America in 1964 the Bridgestone 90’s placed Bridgestone in the American motorcycle market as a serious and dominating force.
With a total production sales of 51,000 by 1966 the 90 series was truly the model that proved it. Offered in nine different models the 90 series had the most models of any other series offered by Bridgestone to the U.S. market.


Thursday, August 7, 2014

Hold On To My Shaking Hands



Jan Hodson

Hold On To My Shaking Hands 
Scott Blake-Jack Hill,
 Snooty Music BMI

RCT Recording Co. Of Tenn.
2751 Kimball Memphis, Tenn.

 Produced by Ken Laxton


Ken Laxton was a Memphis trumpet player who became sound engineer and producer, working with The Meters, The Nevilles, Allen Toussaint etc
 
No much info other than that.  Jan Hodson is unknown as is the date of release.  Presumably this RCT label is not related to the earlier Memphis RCT label owned by Ray Scott from the early sixties ?
 

Sunday, August 3, 2014

I Don't Care If The Sun Don't Shine




Frank Messina And The Mavericks
Called by Fenton "Jonesy" Jones
I Don't Care If The Sun Don't Shine
Mack David, Famous Music Corp, ASCAP
 
Square Dance With Call

Mac Gregor 8065

1957


Fenton G. "Jonesy" Jones (1907–2003), born in Los Angeles, was best known as a square dance caller.   His mother, who died when Jones was seven years old, was a pianist and guitarist.  Jones began calling dances in 1940, touring the United States and calling at various square dancing events. He also called dances regularly at his home state of California.   
 
He had previously recorded his calls, first in 1946 on the Black and White then on Imperial, Capitol, MGM and Mastertone labels.[Jones also appeared in many films television series in the 1970s and 1980s, most often uncredited, as a square dance caller

The Mac Gregor label, founded in 1950, was a division of C.P. MacGregor Transcriptions.
C.P. MacGregor. owner of the label, was one of those unseen hands in early radio.  He produced radio programs, recorded musicians, and syndicated everything. He was known as "the DeMille of the discs.".   The first of his companies, MacGregor and Ingram Co. was incorporated about 1929.

MacGregor was a prolific producer and distributor syndicated transcription discs. He did the Shadow, Cecil and Sally Eps, AFRS programs, Al Jolson, Jubilee, Lux Radio theatre, The Hollywood Theatre, Eb and Zeb, and sessions with Leadbelly, Charlie Parker, Stan Kenton... hundreds of others.
 
Capitol Records, before they had their own studios, recorded in the Mac Gregor Studios in the 1940s.