Sound clip taken from Ancestors Of Rap: A Collection Of Highly Underrated Prototype Rap Songs, a compilation issued in Germany in 2012. Originally issued on the Highlass label, Iris Bell's own label.
The inclusion of Iris Bell in this proto-rap compilation is somewhat outlandish. The explanation can be probably deducted from the following lines from a review found online :
Although
Tramp Records is known worldwide for its expertise in soul, funk and jazz from
the 1960s and 70s, label boss Tobias Kirmayer always had a deep connection to
hip hop and rap music. His dream to compile prototype rap songs has existed for
quite some time. In the search of quality songs, Kirmayer realized that it
takes more than to simply scratch the surface. The challenge was to locate
enough proper material to meet the criteria to be called prototype rap. The answer
is Ancestors of Rap.
What about Bo Diddley, Tobias?
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Iris Bell (1934-2008)
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Iris Bell was the
daughter of Aaron White, eye, ear, nose and throat surgeon; and Irene Humphreys
Goode, who had been classically trained in voice. Iris was trained in classical
piano until age 14, graduated from Stonewall Jackson High in 1951, and began
playing with Charleston bands almost immediately.
She led her
own band, the Iris Bell Trio, from the age of 22. Iris knew over 7,000 tunes
and wrote several songs of her own. "I Hear Him Comin' Down the Road"
was a tribute to her grandfather, John Goode. In 1962, she penned "This is
My West Virginia," the last adopted of our three state songs and a
powerful anthem to the beauty of the state, its people and its culture.
In 1968,
Iris moved to Ann Arbor, Michigan. For seven years, she played at the Rubaiyat
Supper Club using her new banner, the Iris Bell Adventure, with Derek Pierson,
Butch Miles, and later, her eldest daughter, Elizabeth Bell.
In 1977,
Iris returned to Charleston to stay, continuing her career while caring for her
ailing mother and raising her youngest daughter, April. She played several
venues around the city, including the Athletic Club, the Owl's Club, Cagney's
Pier, and the Fifth Quarter. She played events and private parties for such
dignitaries as former Gov. Caperton. The Iris Bell Trio/Adventure played
hard-hitting jazz, rock and roll, and psychedelic rock from the early 1960s
through the 1980s. Iris frequently played solo gigs in Charleston, WV starting
in the early 1980s, including several years with the West Virginia Jazz
Festival.
Excerpts
from a 1973 interview :
You don't have to drive a truck or pick cotton to have the blues. It's when things make you want to wail, so instead of crying or lying on the floor you sing out the hurt. Thre are thousands of blues happy, sad, sexual--whatever. (...)
When fourteen years old, I listed to black stations, black music, bought blacks records at a time when it was called "race music." I went to concert/dances with big black revues featuring people like Lionel Hampton and Ray Charles and Chuck Berry and the Clovers singing "Your Cash Ain't Nothin' ButTrash".
