Round And Round

Round And Round

Pic from "Spinning The Blues" sheet Music, UK

Pauline Rogers was the daughter of a pastor from Caldwell, New Jersey.  Pauline was 19-year-old when she was hired as baby-sitter by Ralph Stein, songwriter and musical director of Original Records who signed her after he heard her singing lullabys to his children. . .  She released a total of five singles, the first on Original being also issued in the UK (on the Columbia label).

Discography
Titles in bold fonts are in this zipped file

53 - Original 1000 : But Good / Spinning The Blues
55 - Original 1007 : You Were Only Foolin' / You're All I Want (Nothing More)
55 - Atco 6050 : You're Everything To Me / Up Till Now
55 - Atco unissued : Heart Load Of Love
56 - Atco unissued : My Lover Has Left Me / You Went Too Far
56 - Atco 6071 : Round And Round / Come Into My Parlor
57 - Flair-X 5001 : I'm Just A Woman / I've Been Pretending (Everything's All Right)

My Father The Pop Singer

Sam Chalpin

Sam Chalpin had mostly sung at lodge meetings and was a cantor at his synagogue. Ed Chalpin, his son and head of the PPX Record Production Company, decided that if Mrs. Miller gained some fame for her series of shrill and off-key renditions of popular songs, then why not make a similar record with his father -" and Ed would make sure that his father worked for nothing. Existing tracks, a studio he owned and a free singer - investment zero!" 

After Sam Chalpin had finished recording the ten tunes of this Atco disc, Ed Chalpin had contacted Ahmet Ertegun [head of Atlantic Records], to whom he stated that his father, who was sixty-five years of age, had made his first recordings.  The tunes were issued on the Atlantic Records' Atco subsidiary in 1966.

Sam Chalpin died in 1969.

Satisfaction

Mike Rashkow, the recording engineer, has told the story of these recordings at Spectropop.com :

Excerpts:

Sam could not read English very well, maybe not at all. If he could read, then he couldn't see. If he was taught the lyrics, he'd forget them. The melody and meter? He had two chances of getting in the vicinity of either one - slim and none. Slim done took the train. Supposedly, he'd learn the song, then Ed would bring him in and we put the head phones on him. I think we actually had to tie them on him - he didn't like it. We'd start trying to overdub him by a): feeding him the old vocal in the cans; b): not feeding him the old vocal in the cans; c): letting him listen over and over again to the line or two he was going to yelp at, and d): Ed standing next to him waving his arms and threatening him with violence.

I swear on my children's lives that Ed made his father cry at least once, maybe more, during these sessions. It was terrible for me to watch, and possibly criminal to be involved in. Today, Ed would be arrested for Elder Abuse, and I would be the one who dropped the dime on him.

If we did one punch-in on a song we did 100. I did so many punch-ins, trying to get a single chorus done, that when the record was complete I was punch drunk. This is not exaggerated. The poor old man couldn't sing, couldn't read, couldn't remember and, most of the time, didn't have a clue what was going on. I may make it sound funny, but truly it was an awful thing for one person to put another person through, let alone a son to his father.

My Father The Pop Singer

Acknowledgements : nuggets from the moon (YT channel)

Hey Little School Girl

Artie Lewis

Hey Little School Girl

arranged and conducted by
Richard Wess

Atco 45-6169
1960

Probably the son of Artie Lewis, one of Miami Beach's affluent hotel men and cabana owners, Artie recorded this single in 1959 but for some reason it was issued only one year after its recording.

In 1958, Artie Lewis got his recording start on Oklahoma Records, a short-lived subsidiary of Hollis Music , a New York BMI publishing house run by Howard S. Richmond.   In 1959, around the same time as his Atlantic session, there was "Alone, All Alone / Why Don't They Believe Us" on Fling Records (a Fury Records subsidiary), songs also issued the following year on Kenco Records.

At the end of 1960,"16-year old  Artie Lewis of Drexel School," was in very low budget movie directed by Joe Rodero titled Bandstand Idol.   Also starring in the movie were Bill Wyler, Blanche Deveraux, George Florido, Candi Scott (aka Candi Casino)  and the South Florida band, The Flying Tornadoes.  There is VERY little information about this movie around the internet.

Later In the sixties, he was Arty Lewis on Hawk Records (Left Over Lovin' / What's A Fellow Gonna Do), Artie Lewis again on  Rust Records (Ain't that alright / I Wonder, 1964) and Loma Records (Falling (In Love With You) /Ain't No Good) in 1967.

For a picture of young and good looking Artie Lewis, see the picture sleeve of his Fling record HERE