Showing posts with label 1953. Show all posts
Showing posts with label 1953. Show all posts

Wednesday, June 8, 2022

It's Absolutely Preposterous!




 

It's Absolutely Preposterous!

Parrakeet Phrases Record No. 2
Custom Sound Studios
Evanston, Illinois

1953

Single phrase repeated over and over. The fast, easy way to teach your parrakeet new phrases.
Reverse is "Canaries Are Cute, But They Can't Talk".  Well, humans can talk, but they are not cute!

In the 1950s, could the record players repeat the same side over and over automatically? I wonder...



Thursday, December 30, 2021

My Inspiration

 



The Four Plaid Throats -  My Inspiration
Mercury Records, 1953

No joke, a real group from California. Scarce record if you believe Jerry Osborne's "The 1.000 Most Valuable Records" (official guide to the money records) or a little more than 5$ if you trust one of the latest Tefteller's sale.
 
Oscar McLollie shared the stage with the Four Plaid Throats for a weekend at the 5-4 Club in Los Angeles in May 1953. As a comic relief ?



Monday, February 10, 2020

Round And Round




Round And Round


Pic from "Spinning The Blues" sheet Music, UK

Pauline Rogers was the daughter of a pastor from Caldwell, New Jersey.  Pauline was 19-year-old when she was hired as baby-sitter by Ralph Stein, songwriter and musical director of Original Records who signed her after he heard her singing lullabys to his children. . .  She released a total of five singles, the first on Original being also issued in the UK (on the Columbia label).

Discography
Titles in bold fonts are in this zipped file

53 - Original 1000 : But Good / Spinning The Blues
55 - Original 1007 : You Were Only Foolin' / You're All I Want (Nothing More)
55 - Atco 6050 : You're Everything To Me / Up Till Now
55 - Atco unissued : Heart Load Of Love
56 - Atco unissued : My Lover Has Left Me / You Went Too Far
56 - Atco 6071 : Round And Round / Come Into My Parlor
57 - Flair-X 5001 : I'm Just A Woman / I've Been Pretending (Everything's All Right)


Thursday, February 6, 2020

Lucy Mae Blues


Frankie Lee Sims (1917-1970) 
 
American singer-songwriter and electric blues guitarist. He released nine singles during his career, one of which, "Lucy Mae Blues" (1953), was a regional hit.

Sims was the cousin of another Texas blues musician, Lightnin' Hopkins, and he worked with several other prominent blues musicians, including Texas Alexander, T-Bone Walker, King Curtis and Albert Collins. Sims is regarded as one of the important figures in postwar Texas country blues. [Wikipedia]

 
Collection of his complete Specialty recordings compiled and produced for reissue by Billy Vera and mastered in 1992 by Joe Tarantino at Fantasy Studios, Berkeley.

All tracks recorded in Dallas in 1953 and 1954. From these 20 sides, only 6 sides were originally  issued in the fifties by Specialty :

459 Lucy Mae Blues / Don't Take It Out On Me   
478 I'm Long, Long Gone / Yeh, Baby!
487 Rhumba My Boogie / I'll Get Along Somehow   




Sunday, June 30, 2019

Easter Bunny Song





Baby Pam in the recording studio
 (1953)

In 1953, seven-year-old Baby Pam was already an experienced trouper. Before her debut as a singer with such catchy little items as "My Daddy Gave Me Choo Choo Trains for Christmas and Now He's Having Fun.", she was an accomplished drummer with a troupe of six-year-old musicians called The Rhythm Babies, who entertained Middle Western television audiences over a Chicago station. The Rhythm Babies broke up two years before during a legal wrangle over which tot was the leader of the band.


In 1953, the trend of recording young and very young artists has been noted generally with sympathy by various magazines and music trade papers.  A little less moved by the junior performances, a columnist from New York wrote:
They sing (if that is the word) not to other children but to adults. Not since the days of Shirley Temple, Bobby Breen and Baby Rose Marie have tiny tots and teenagers commanded such an impressive part of America's craze-ridden, fad-conscious entertainment industry. 
On television, radio and records they are lisping and sighing, screeching and crying their way through such musical gems as "Too Old for Toys, Too Young for Boys," "My Daddy is in Korea and Mommy Cries All Day," "Three and Four is Eight," and "God Bless Us All."

The youngsters ‒  Jimmy Boyd, 14, "Brucie" Weil, six, Gayla Peevey, eight, Baby Pam, seven, Charlie Applewaite, 13, and several implausibly named little dears, Molly Bee, six, Texas Sunshine Ruby, nine, Sonny Boy, five, Nelly Honey, of Missouri, seven, and Kansas Pete, who is alleged to be three ‒  now fill the airwaves from New York to San Francisco with their piping renditions of the latest of Tin Pan Alley's vocal nightmares. 
The most curious aspect of all this is that people are prepared to pay enormous sums for what many consider to be sheer punishment.
More potential punishment for your pleasure here

Tuesday, January 29, 2019

Kinsey's Book


Frank Wilson
The 4 Horsemen and the Wild Azeleas

Fenway 45-2000
1953

To conduct the groundbreaking sexology research, Kinsey and his colleagues interviewed more than 18,000 men and women. Their questions touched upon subjects like sadomasochism, extramarital relations, frequency of masturbation, and number of partners of the same or opposite sex. Once all the data had been gathered, Kinsey was able to break down sexual trends by age, socioeconomic status, and religion to assemble a portrait of human sexuality. The study demonstrated that some practices (like homosexuality, for example) that were considered socially unacceptable were actually quite common. Alfred Kinsey became a household name following the release of Sexual Behavior in the Human Male (1948) and Sexual Behavior in the Human Female (1953), two books that are together known as the Kinsey Reports.


. . . .

Despite his success (or perhaps because of it), Kinsey attracted more than his fair share of angry critics during the 1950s. Scandalized conservatives claimed he was supporting a communist agenda by eroding sexual morality and family values in America. The controversy surrounding his name hasn’t let up since Kinsey’s death in 1956. One area of research in particular, his findings on sexual behaviors in children, remains the subject of intense scrutiny today. He gathered the information used in these sections from interviews conducted with a serial child rapist. The man agreed to speak with Kinsey under the condition that he wouldn’t be turned in for his crimes. In a possible move to protect his subject’s identity, Kinsey credited his data on children to many sources instead of just one, undermining the integrity of his work in the eyes of many scientists.
Billboard article, 17 October 1953

Good old Phil Milstein has gathered in session 418 six Kinsey songs including one from Jamaica (Lord Lebby, Kalypso Records)



Tuesday, November 22, 2016

Hey Mrs. Jones


The Three Dukes
Sing And Play
Forrest & Reagan, Pamlee Music BMI

Triple A 2505
1953

Cleveland, Ohio young jazz trio "The Three Dukes" were one of the first groups to cover the Jimmy Forrest song recorded in 1952 for United Records. Members of The Three Dukes were Vincent Tancredi (drums), Ronnie Feskanin (piano) and John DiPalma (bass).  The Three Duke's recording of "Hey Mrs. Jones" was pressed for Jack Gale's Triple A Records.  The new release was Triple A's debut in R & B and was considered a "good version of the lively tune now riding high" according to Billboard reviewed somewhere in the Rhythm & Blues section between new records by Edna McGriff (Why, Oh Why on Jubilee Records) and Hadda Brooks (When I Leave the World Behind, Okeh Records) on February 28 1953.  The reviewer also noted that "Coverage platter is rather late and will have a difficult time catching much coin"

The trio broke up soon after.

More versions of the song in my next post


Friday, October 7, 2016

Busy Bee Buzz Buzz Buzz


Ray Paul Trio
Finger Ride
b/w
Nilda Dale
Busy Bee Buzz, Buzz, Buzz

DES 45-301
1953


The mastermind behind this record was a Rhode Island songwriter named Louis Anthony Des Granges.   On the flip  Busy Bee Buzz Buzz Buzz (also known as Busy Bee Buzz Buzz Buzz Buzz Buzz)  is sung by Nilda Dale, whose real name is Nilda Des Granges born in 1925 and still alive not so far ago and still living in Providence, Rhode Island, wife or sister of the composer, I reckon.

Louis A. Des Granges seems to have been a reasonably active composer since at least the end of the forties, using various pseudonyms, such as Lou Granges,  Des Louis or Lou Granger :

Deep In My Heart (1947); Love Alone (1949),  Jumpin ' Jack (1963) Mister And Missus (1964), Would You Mind (1968, recorded by Buddy Arden Dot Records), Cleo, The Funny Bunny (With The Funny Yellow Tail) (1969 and 1977)  and If I Should Ever (1970)

Surely, it may be only a coincidence, but I've found a charming " Cleo, The Funny Bunny" sung by Cathey Conte on the website of The Fabulous Gabriel "a self contained singer/song writer who has been performing his original songs for years throughout this country and abroad." 
The Fabulous Gabriel was born in 1948, he is a graduate with a masters degree in music and history from (incidentally) Rhode Island College.  The Fabulous Gabriel has recorded in 1988 "Somewhere Elvis Is Smiling" and wrote more recently "Marilyn Monroe The Lost Diary"   But that "Cleo, The Funny Bunny" surely it's a different song.